art: “ Artist: Most Wrong King Tumblr: http://post-web.tumblr.com/ ”

art:

Artist: Most Wrong King

Tumblr: http://post-web.tumblr.com/

  1. Date Posted Icon 29th December 2018
  2. Reblogged Icon Reblogged From art
  3. Notes Icon Notes: 5015
russiacore: “Malcolm Liepke, alone together/ Milt Kobayashi, corner table ” russiacore: “Malcolm Liepke, alone together/ Milt Kobayashi, corner table ”

russiacore:

Malcolm Liepke, alone together/ Milt Kobayashi, corner table

  1. Date Posted Icon 29th December 2018
  2. Reblogged Icon Reblogged From skinnedd
  3. Notes Icon Notes: 8456

Cristofol Pons

image
  1. Date Posted Icon 28th December 2018
annawalkerillustration: “Endpapers #take4 #muchhappiernow ”

annawalkerillustration:

Endpapers #take4 #muchhappiernow

  1. Date Posted Icon 16th December 2018
  2. Reblogged Icon Reblogged From annawalkerillustration
  3. Notes Icon Notes: 47
blueberrymodern: “ Kenneth Noland A Warm Sound in a Gray Field, 1961 + ”

blueberrymodern:

Kenneth Noland A Warm Sound in a Gray Field, 1961 +

  1. Date Posted Icon 16th November 2018
  2. Reblogged Icon Reblogged From blueberrymodern
  3. Notes Icon Notes: 574
my-kelde: “Matthew F Fisher. The Psalmist, 2018. acrylic on canvas ”

my-kelde:

Matthew F Fisher. The Psalmist, 2018.

acrylic on canvas

  1. Date Posted Icon 16th November 2018
  2. Reblogged Icon Reblogged From my-kelde
  3. Notes Icon Notes: 75
peytonrack: “Interference Peyton Rack 2018 ”

peytonrack:

Interference

Peyton Rack

2018

  1. Camera: Canon PowerShot SX530 HS
  2. Aperture: f/4.5
  3. Exposure: 1/20th
  4. Focal Length: 60mm
  1. Date Posted Icon 12th November 2018
  2. Reblogged Icon Reblogged From peytonrack
  3. Notes Icon Notes: 16
thunderstruck9: “Annie Lapin (American, b. 1978), Caver, 2005. Oil and enamel on canvas, 48 x 60 in. ”

thunderstruck9:

Annie Lapin (American, b. 1978), Caver, 2005. Oil and enamel on canvas, 48 x 60 in.

  1. Date Posted Icon 2nd November 2018
  2. Reblogged Icon Reblogged From thunderstruck9
  3. Notes Icon Notes: 119
thunderstruck9: “Annie Lapin (American, b. 1978), Merge Down, 2008. Oil on canvas, 72 x 96 in. ”

thunderstruck9:

Annie Lapin (American, b. 1978), Merge Down, 2008. Oil on canvas, 72 x 96 in.

  1. Date Posted Icon 2nd November 2018
  2. Reblogged Icon Reblogged From thunderstruck9
  3. Notes Icon Notes: 104
lesfemmesartistes: “Annie Lapin, The Ssion, 2008. ”

lesfemmesartistes:

Annie Lapin, The Ssion, 2008.

  1. Date Posted Icon 2nd November 2018
  2. Reblogged Icon Reblogged From lesfemmesartistes
  3. Notes Icon Notes: 86
electripipedream: “Peter Max Mindflowers 1967 ”

electripipedream:

Peter Max
Mindflowers
1967

  1. Date Posted Icon 1st November 2018
  2. Reblogged Icon Reblogged From electripipedream
  3. Notes Icon Notes: 1085
theegoist: “Victor Vasarely (Hungarian–French, 1906-1997) - Belle-isle (Guedel), oil on panel, 82.00 x 69.00 cm (1956) ”

theegoist:

Victor Vasarely (Hungarian–French, 1906-1997) - Belle-isle (Guedel), oil on panel, 82.00 x 69.00 cm (1956)

  1. Date Posted Icon 1st November 2018
  2. Reblogged Icon Reblogged From jbe200
  3. Notes Icon Notes: 425
immafuster: “by Jonny Niesche ”

immafuster:

by Jonny Niesche

  1. Date Posted Icon 28th October 2018
  2. Reblogged Icon Reblogged From immafuster
  3. Notes Icon Notes: 65
thunderstruck9: “Kehinde Wiley (American, b. 1977), Kern Alexander Study I, 2011. Oil on paper, 53 x 40 in. ”

thunderstruck9:

Kehinde Wiley (American, b. 1977), Kern Alexander Study I, 2011. Oil on paper, 53 x 40 in.

  1. Date Posted Icon 28th October 2018
  2. Reblogged Icon Reblogged From thunderstruck9
  3. Notes Icon Notes: 826
red-lipstick: “Hrvoje Majer (Croatian, b. 1975, based Zagreb and London) - To Let Go, 2006 Paintings: Oil on Canvas ”

red-lipstick:

Hrvoje Majer (Croatian, b. 1975, based Zagreb and London) - To Let Go, 2006    Paintings: Oil on Canvas

  1. Camera: Canon PowerShot A620
  2. Aperture: f/5
  3. Exposure: 1/6th
  4. Focal Length: 41mm
  1. Date Posted Icon 28th October 2018
  2. Reblogged Icon Reblogged From paintsnotdead
  3. Notes Icon Notes: 503